We are dedicated to theatrical exhibition, but while we are shut down, we’ve partnered with distributors and filmmakers to offer streaming of first-run indie and art film. This will help support the theater through this crisis. We’ll share in the revenue with distributors.
HELMUT NEWTON: THE BAD AND THE BEAUTIFUL
One of the great masters of photography, Helmut Newton made a name for himself exploring the female form, and his cult status continues. Through candid interviews with Grace Jones, Charlotte Rampling, Isabella Rossellini, Anna Wintour, Claudia Schiffer, Marianne Faithfull, Hanna Schygulla, Nadja Auermann, and Newton’s wife June (a.k.a. photographer Alice Springs), this documentary captures his legacy and seeks to answer questions about the themes at the core of his life’s work.
GORDON LIGHTFOOT: IF YOU COULD READ MY MIND
An exploration into the career, music and influence of the iconic musician. With unprecedented access to the artist and featuring interviews with Sarah McLachlan, Alec Baldwin and more, this intimate documentary follows Lightfoot’s evolution from choirboy in rural Canada to troubled troubadour to international star with hits including “If You Could Read My Mind”, “Sundown”, “Carefree Highway”, and “Rainy Day People”.
A THOUSAND CUTS
Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.
Capturing the messy upheaval of the ’70s just as rock was re-inventing itself, the film explores CREEM Magazine’s humble beginnings in post-riot Detroit, follows its upward trajectory from underground paper to national powerhouse, then bears witness to its imminent demise following the tragic and untimely deaths of its visionary publisher, Barry Kramer, and its most famous alum and genius clown prince, Lester Bangs, a year later. Fifty years after publishing its first issue, “America’s Only Rock ‘n’ Roll Magazine” remains a seditious spirit in music and culture.
Ten years in the making, COUP 53 tells the story of the 1953 the Anglo-American coup d’état that overthrew Iran’s government of Prime Minister Mohammad Mossadegh and reinstalled the Shah. The CIA/MI6 covert action was called Operation Ajax. It was all about Iran’s oil and who gets to control and benefit from it. BP was at the heart of this story. Shot in seven countries, featuring participants and first-hand witnesses, and unearthing never seen before archive material, COUP 53 is a politically explosive and cinematically innovative documentary that lifts the lid on secrets buried for over sixty-six years.
Two-time Oscar-winner Barbara Kopple (Harlan County USA, American Dream) re-examines the story of Americans taken hostage by Iranian revolutionaries in 1979. Focusing on a rescue mission, the film plays like a thriller. Kopple draws upon never-before-heard audiotapes from inside the White House, as well as new interviews with hostages, rescuers, Iranians and even President Carter, whose 1980 election loss to Ronald Reagan was greatly influenced by this decisive chapter of history.
JOHN LEWIS: GOOD TROUBLE
Using present-day interviews with Lewis, now 80 years old, Porter explores his childhood experiences, his inspiring family and his fateful meeting with Dr. Martin Luther King Jr. in 1957. In addition to her interviews with Lewis and his family, Porter’s primarily cinéma verité film also includes interviews with political leaders, Congressional colleagues, and other people who figure prominently in his life.
In 1981, it was still illegal to be gay in France. Today, same-sex marriage is recognized and has paved the way for legalizing the adoption of children by LGBTQ families. Proud tells the story of Charles, Victor and Diego, three generations of the same family who represent the seismic social changes that took place in just three decades.
Flannery explores the life, work and legacy of American Southern Gothic Flannery O’Connor.
Content Warning: Flannery O’Connor was racist. In an effort to represent the author accurately in this documentary, the producers have not muted or otherwise distorted offensive, racist language in the film.
LEONARDO: THE WORKS
Leonardo da Vinci is acclaimed as the world’s favorite artist. This documentary focuses on his peerless paintings and drawings.
DIANA KENNEDY: NOTHING FANCY
Featuring extensive interviews with Diana Kennedy and famed chefs José Andrés, Rick Bayless, Gabriela Camara and Alice Waters, Diana Kennedy provides an intimate look at the leading expert on Mexican cuisine.