We are dedicated to theatrical exhibition, but while we are shut down, we’ve partnered with distributors and filmmakers to offer streaming of first-run indie and art film. This will help support the theater through this crisis.
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THE WORLD OF WONG KAR WAI
SOME KIND OF HEAVEN
With SOME KIND OF HEAVEN, first-time feature director Lance Oppenheim cracks the manicured facade of The Villages, America’s largest retirement community – a massive, self-contained utopia located in Central Florida.
THE SALT OF TEARS
Veteran filmmaker Philippe Garrel once again fashions a pinpoint-precise and economical study of young love and its prevarications, which ever so gradually blossoms into an emotionally resonant moral tale.
MC ESCHER: JOURNEY TO INFINITY
The story of world famous Dutch graphic artist M.C Escher (1898-1972). Equal parts history, psychology, and psychedelia, Robin Lutz’s entertaining, eye-opening portrait gives us the man through his own words and images: diary musings, excerpts from lectures, correspondence and more are voiced by British actor Stephen Fry.
I BLAME SOCIETY
A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film….and committing the perfect murder.
Kit (Henry Golding, Crazy Rich Asians) returns to Ho Chi Minh City for the first time since he was six years old when his family fled the country in the aftermath of the Vietnam-American war. There he meets Lee, and arranges an online date that turns into something more with Lewis (Parker Sawyers, Southside With You), an American clothing designer. Struggling to make sense of himself in a city he’s no longer familiar with, he embarks on a personal journey across the country that opens up the possibility for friendship, love and happiness.
In the tradition of New York’s greatest street photographers, Manny Kirchheimer’s FREE TIME is a new film based on lustrous B&W footage he and Walter Hess shot throughout the city from 1958-1960.
“A poetic film. Lyrically evokes leisurely summer days in New York. Filled with the beauty of the everyday. Serenely buoyant.”
– Leonard Quart, Cineaste
SING ME A SONG
As the Internet finally arrives in tiny Bhutan, documentarian Thomas Balmès is there to witness its transformative impact on a young Buddhist monk whose initial trepidation gives way to profound engagement with the technology.
THE DONUT KING
Ted’s story is one of fate, love, survival, hard knocks, and redemption. It’s the rags to riches story of a refugee escaping Cambodia, arriving in America in 1975 and building an unlikely multi-million-dollar empire baking America’s favorite pastry, the donut. Ted sponsored hundreds of visas for incoming refugees and helped them get on their feet teaching them the ways of the donut business. By 1979 he was living the American Dream. But, in life, great rise can come with great falls.
QUEEN OF HEARTS: AUDREY FLACK
At 88 years-old, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist, rebel, mother, painter, sculptor and teacher, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art, Audrey continues to create, explore, and inspire with her unique style and indomitable spirit.
William Greaves’ Landmark Document of the 1972 National Black Political Convention Nationtime is the long-lost film that William Greaves made about the National Black Political Convention of 1972, when 10,000 black politicians, activists and artists went to Gary, Indiana, to forge a national unity platform in advance of the Republican and Democratic presidential conventions.
Britain, late-1970s. Punk is exploding. The country is deeply divided over immigration with the National Front, a far-right political party, gaining strength. Outraged by this xenophobic agenda, photographer Red Saunders teams up with like-minded creatives to form Rock Against Racism. Focusing on issues that the mainstream British media ignores, the RAR zine challenges the status quo and sparks a grassroots youth movement that The Clash, Steel Pulse and other top punk bands jump on board.